English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - Всего страниц: 398 |
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Стр. 217
... become considerable in their aggregate influence . As a medicated atmosphere , or as wine during animated conversation ; they act powerfully , though themselves unnoticed . Where , therefore , correspondent food and appropriate matter ...
... become considerable in their aggregate influence . As a medicated atmosphere , or as wine during animated conversation ; they act powerfully , though themselves unnoticed . Where , therefore , correspondent food and appropriate matter ...
Стр. 226
... become the image of the combined effect of those objects and his appre- hension of them . Man in society , with all his passions and his pleasures , next becomes the object of the passions and pleasures 50 of man ; an additional class ...
... become the image of the combined effect of those objects and his appre- hension of them . Man in society , with all his passions and his pleasures , next becomes the object of the passions and pleasures 50 of man ; an additional class ...
Стр. 335
... become active - in technique : poet and letter- 880 writer are at last one . The verse is convincing , and the symbolism is organic with it . The symbolic theme is extremely impressive and , though it invites elucidation and commentary ...
... become active - in technique : poet and letter- 880 writer are at last one . The verse is convincing , and the symbolism is organic with it . The symbolic theme is extremely impressive and , though it invites elucidation and commentary ...
Содержание
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
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English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Просмотр фрагмента - 1962 |
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action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write