English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - Всего страниц: 398 |
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Стр. 17
... better to have a particular act truly or falsely set down , there is no doubt which is to be chosen , no more than whether you had 555 rather have Vespasian's picture right as he was , or , at the painter's pleasure , nothing resembling ...
... better to have a particular act truly or falsely set down , there is no doubt which is to be chosen , no more than whether you had 555 rather have Vespasian's picture right as he was , or , at the painter's pleasure , nothing resembling ...
Стр. 30
... better spend his time in them than in this . Secondly , that it is the mother of lies . Thirdly , that it is the nurse of abuse , infecting us with many pestilent desires , with a siren's sweetness drawing the mind to the serpent's tail ...
... better spend his time in them than in this . Secondly , that it is the mother of lies . Thirdly , that it is the nurse of abuse , infecting us with many pestilent desires , with a siren's sweetness drawing the mind to the serpent's tail ...
Стр. 269
... better simply to have recourse to concrete examples ; to take specimens of poetry of the high , the very highest , quality , and to say : The characters of a high quality 330 of poetry are what is expressed there . They are far better ...
... better simply to have recourse to concrete examples ; to take specimens of poetry of the high , the very highest , quality , and to say : The characters of a high quality 330 of poetry are what is expressed there . They are far better ...
Содержание
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
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English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Просмотр фрагмента - 1962 |
Часто встречающиеся слова и выражения
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write