English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - Всего страниц: 398 |
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Стр. 82
... express and work up the pas- sions , I wish any example he could bring from them would make it good ; for I confess their verses are to me the coldest I have ever read . Neither , indeed , is it possible for them , in the way they take ...
... express and work up the pas- sions , I wish any example he could bring from them would make it good ; for I confess their verses are to me the coldest I have ever read . Neither , indeed , is it possible for them , in the way they take ...
Стр. 119
... express , And value books , as women men , for Dress : Their praise is still , the Style is excellent : The Sense , they humbly take upon content . 305 Words are like leaves ; and where they most abound , Much fruit of sense beneath is ...
... express , And value books , as women men , for Dress : Their praise is still , the Style is excellent : The Sense , they humbly take upon content . 305 Words are like leaves ; and where they most abound , Much fruit of sense beneath is ...
Стр. 228
... express this indestruc- 115 tible order , are not only the authors of language and of music , of the dance , and architecture , and statuary , and painting ; they are the institutors of laws , and the founders of civil society , and the ...
... express this indestruc- 115 tible order , are not only the authors of language and of music , of the dance , and architecture , and statuary , and painting ; they are the institutors of laws , and the founders of civil society , and the ...
Содержание
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
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English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Просмотр фрагмента - 1962 |
Часто встречающиеся слова и выражения
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write