English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - Всего страниц: 398 |
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Стр. 207
... facts , either those of his scanty experience or his traditional belief ; while the educated man chiefly seeks to discover and express those connections of things , or those relative bearings of fact to fact , from which some more or ...
... facts , either those of his scanty experience or his traditional belief ; while the educated man chiefly seeks to discover and express those connections of things , or those relative bearings of fact to fact , from which some more or ...
Стр. 260
... fact , in the supposed fact ; it has attached its emotion to the fact , and now the fact is failing it . But for poetry the idea is everything ; the rest is a world of illusion , of divine illusion . Poetry attaches its 10 emotion to ...
... fact , in the supposed fact ; it has attached its emotion to the fact , and now the fact is failing it . But for poetry the idea is everything ; the rest is a world of illusion , of divine illusion . Poetry attaches its 10 emotion to ...
Стр. 334
... facts , and to have itself the authenticity of fact . The strength that makes the sensuous Keats's Ode to a Nightingale so different from the spiritual Shelley's To a Skylark — the grasp of the object , the firm sense of actuality , the ...
... facts , and to have itself the authenticity of fact . The strength that makes the sensuous Keats's Ode to a Nightingale so different from the spiritual Shelley's To a Skylark — the grasp of the object , the firm sense of actuality , the ...
Содержание
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
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English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Просмотр фрагмента - 1962 |
Часто встречающиеся слова и выражения
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write