English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - Всего страниц: 398 |
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Стр. 106
... follow nature , but he must follow her on foot : you have dismounted him from his Pegasus . But you tell us , this supplying the last half of a verse , or adjoining a whole second to the former , looks more like the design of two , than ...
... follow nature , but he must follow her on foot : you have dismounted him from his Pegasus . But you tell us , this supplying the last half of a verse , or adjoining a whole second to the former , looks more like the design of two , than ...
Стр. 175
... follow wheresoever he can find an atmosphere of sensation in which to move his wings . Poetry is the first and last of all knowledge — it is as immortal as the heart of man . If the labours 500 of Men of science should ever create any ...
... follow wheresoever he can find an atmosphere of sensation in which to move his wings . Poetry is the first and last of all knowledge — it is as immortal as the heart of man . If the labours 500 of Men of science should ever create any ...
Стр. 260
... follow . We are here invited to trace the stream of English poetry . But whether we set ourselves , as here , to follow only one of the several streams that make the mighty river of poetry , or whether we seek to know them all , 20 our ...
... follow . We are here invited to trace the stream of English poetry . But whether we set ourselves , as here , to follow only one of the several streams that make the mighty river of poetry , or whether we seek to know them all , 20 our ...
Содержание
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
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Часто встречающиеся слова и выражения
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write