English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - Всего страниц: 398 |
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Стр. 225
... imagination , the former may be considered as mind contemplating the relations borne by one thought to another ... imagination is the 15 perception of the value of those quantities , both separately and as a whole . Reason respects the ...
... imagination , the former may be considered as mind contemplating the relations borne by one thought to another ... imagination is the 15 perception of the value of those quantities , both separately and as a whole . Reason respects the ...
Стр. 247
... imagination is most delightful , but it is 860 alleged that that of reason is more useful . Let us examine , as the grounds of this distinction , what is here meant by utility . Pleasure or good , in a general sense , is that which the ...
... imagination is most delightful , but it is 860 alleged that that of reason is more useful . Let us examine , as the grounds of this distinction , what is here meant by utility . Pleasure or good , in a general sense , is that which the ...
Стр. 256
... Imagination . What the imagination seizes as Beauty must be truth - whether it existed before or not —for I have the same Idea of all our Passions as of Love : 5 they are all , in their sublime , creative of essential Beauty . In a word ...
... Imagination . What the imagination seizes as Beauty must be truth - whether it existed before or not —for I have the same Idea of all our Passions as of Love : 5 they are all , in their sublime , creative of essential Beauty . In a word ...
Содержание
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
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Часто встречающиеся слова и выражения
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write