English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - Всего страниц: 398 |
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Стр. 10
... imitate borrow nothing of what is , hath been , or shall be ; but range , only reined with learned discretion , into ... imitate , and imitate both to delight and teach , and delight to move men to take that goodness in hand , which ...
... imitate borrow nothing of what is , hath been , or shall be ; but range , only reined with learned discretion , into ... imitate , and imitate both to delight and teach , and delight to move men to take that goodness in hand , which ...
Стр. 21
... imitation whereof poetry is , hath the most conveniency to nature of all other ; insomuch that , as Aristotle saith , those 715 things which in themselves are horrible , as cruel battles , unnatural monsters , are made in poetical imitation ...
... imitation whereof poetry is , hath the most conveniency to nature of all other ; insomuch that , as Aristotle saith , those 715 things which in themselves are horrible , as cruel battles , unnatural monsters , are made in poetical imitation ...
Стр. 80
... imitation of nature being in the definition of a play , those which best fulfil that law ought to be esteemed superior to the others . ' Tis true , those beauties of the French 1160 poesy are such as will raise perfection higher where ...
... imitation of nature being in the definition of a play , those which best fulfil that law ought to be esteemed superior to the others . ' Tis true , those beauties of the French 1160 poesy are such as will raise perfection higher where ...
Содержание
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
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English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Просмотр фрагмента - 1962 |
Часто встречающиеся слова и выражения
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write