English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - Всего страниц: 398 |
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Стр. ix
... kind of small parasite on the body artistic , and indeed the artist himself as merely a larger kind of parasite on the community . Fortunately , common sense and common observation tell us that we are all human , that we have much in ...
... kind of small parasite on the body artistic , and indeed the artist himself as merely a larger kind of parasite on the community . Fortunately , common sense and common observation tell us that we are all human , that we have much in ...
Стр. 10
... kind , though in a full wrong divinity , were Orpheus , Amphion , Homer in his Hymns , and many other , both Greeks and Romans . And this poesy must be used by whosoever will follow St. James's counsel in singing psalms when they are ...
... kind , though in a full wrong divinity , were Orpheus , Amphion , Homer in his Hymns , and many other , both Greeks and Romans . And this poesy must be used by whosoever will follow St. James's counsel in singing psalms when they are ...
Стр. 26
... kind of music ever with them to the field , but even at home , as such songs were made , so were they all content to be singers of them ; when the lusty men were to tell what they did , the old men what they had done , and the young men ...
... kind of music ever with them to the field , but even at home , as such songs were made , so were they all content to be singers of them ; when the lusty men were to tell what they did , the old men what they had done , and the young men ...
Содержание
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
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English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Просмотр фрагмента - 1962 |
Часто встречающиеся слова и выражения
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write