English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - Всего страниц: 398 |
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Стр. 185
... language was thus insensibly produced , 895 differing materially from the real language of men in any situa- tion . The Reader or Hearer of this distorted language found himself in a perturbed and unusual state of mind : when affected ...
... language was thus insensibly produced , 895 differing materially from the real language of men in any situa- tion . The Reader or Hearer of this distorted language found himself in a perturbed and unusual state of mind : when affected ...
Стр. 186
... language of the earliest Poets was felt to differ materially from ordinary language , because it 920 was the language of extraordinary occasions ; but it was really spoken by men , language which the Poet himself had uttered when he had ...
... language of the earliest Poets was felt to differ materially from ordinary language , because it 920 was the language of extraordinary occasions ; but it was really spoken by men , language which the Poet himself had uttered when he had ...
Стр. 229
... language , and 150 especially metrical language , which are created by that im- perial faculty , whose throne is curtained within the invisible nature of man . And this springs from the nature itself of language , which is a more direct ...
... language , and 150 especially metrical language , which are created by that im- perial faculty , whose throne is curtained within the invisible nature of man . And this springs from the nature itself of language , which is a more direct ...
Содержание
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
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English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Просмотр фрагмента - 1962 |
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action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write