English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - Всего страниц: 398 |
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Стр. 184
... less vivid , and less worthy of the nobler powers of the mind , as to offer reasons for presuming , that if my purpose were fulfilled , a species of poetry would be produced , which is genuine poetry ; in its nature well adapted to ...
... less vivid , and less worthy of the nobler powers of the mind , as to offer reasons for presuming , that if my purpose were fulfilled , a species of poetry would be produced , which is genuine poetry ; in its nature well adapted to ...
Стр. 199
... less under restraint , and speak a plainer and more emphatic language ; because in that condition of life our ... less dramatic , as ' the Brothers , ' ' Michael , ' ' Ruth , ' ' the Mad Mother , ' & c . , the persons introduced are by ...
... less under restraint , and speak a plainer and more emphatic language ; because in that condition of life our ... less dramatic , as ' the Brothers , ' ' Michael , ' ' Ruth , ' ' the Mad Mother , ' & c . , the persons introduced are by ...
Стр. 206
... less under the action of social vanity , they convey their feelings and notions in simple and unelaborated expressions . ' To this I reply ; that 550 a rustic's language , purified from all provincialism and gross- ness , and so far ...
... less under the action of social vanity , they convey their feelings and notions in simple and unelaborated expressions . ' To this I reply ; that 550 a rustic's language , purified from all provincialism and gross- ness , and so far ...
Содержание
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
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English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Просмотр фрагмента - 1962 |
Часто встречающиеся слова и выражения
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write