English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - Всего страниц: 398 |
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Стр. 251
... mind which directs the hands in formation , is incapable of accounting to itself for the origin , the gradations , or the media of the process . Poetry is the record of the best and happiest moments of the 1030 happiest and best minds ...
... mind which directs the hands in formation , is incapable of accounting to itself for the origin , the gradations , or the media of the process . Poetry is the record of the best and happiest moments of the 1030 happiest and best minds ...
Стр. 286
... mind that directs it ? Is there really any huge difference between my hand and my brain ? 10 Or my mind ? My hand is alive , it flickers with a life of its own . It meets all the strange universe in touch , and learns a vast number of ...
... mind that directs it ? Is there really any huge difference between my hand and my brain ? 10 Or my mind ? My hand is alive , it flickers with a life of its own . It meets all the strange universe in touch , and learns a vast number of ...
Стр. 297
... mind of the poet is the shred of platinum . It may partly or exclusively operate upon the experience of the man himself ; but , the more perfect the artist , the more com- 180 pletely separate in him will be the man who suffers and the mind ...
... mind of the poet is the shred of platinum . It may partly or exclusively operate upon the experience of the man himself ; but , the more perfect the artist , the more com- 180 pletely separate in him will be the man who suffers and the mind ...
Содержание
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
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English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Просмотр фрагмента - 1962 |
Часто встречающиеся слова и выражения
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write