English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - Всего страниц: 398 |
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Стр. 20
... moving with the poet . And that moving is of a higher degree than teaching , it may by this appear , that it is well nigh both the cause and the effect of teaching ; for who will be taught , if 665 he be not moved with desire to be ...
... moving with the poet . And that moving is of a higher degree than teaching , it may by this appear , that it is well nigh both the cause and the effect of teaching ; for who will be taught , if 665 he be not moved with desire to be ...
Стр. 21
... moved to the exercise of courtesy , 720 liberality , and especially courage . Who readeth Aeneas carrying old Anchises ... move , saving wrangling whether virtue be the chief or the only good , whether the contemplative or the 730 active ...
... moved to the exercise of courtesy , 720 liberality , and especially courage . Who readeth Aeneas carrying old Anchises ... move , saving wrangling whether virtue be the chief or the only good , whether the contemplative or the 730 active ...
Стр. 120
... move easiest who have learn'd to dance . ' Tis not enough no harshness gives offence , The sound must seem an Echo to the sense : Soft is the strain when Zephyr gently blows , And the smooth stream in smoother numbers flows ; But when ...
... move easiest who have learn'd to dance . ' Tis not enough no harshness gives offence , The sound must seem an Echo to the sense : Soft is the strain when Zephyr gently blows , And the smooth stream in smoother numbers flows ; But when ...
Содержание
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
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English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Просмотр фрагмента - 1962 |
Часто встречающиеся слова и выражения
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write