English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - Всего страниц: 398 |
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Стр. 31
... never affirmeth . The poet never maketh any circles about your imagination , to conjure you to believe for true what he writeth . He citeth not 1085 authorities of other histories , but even for his entry calleth the sweet Muses to ...
... never affirmeth . The poet never maketh any circles about your imagination , to conjure you to believe for true what he writeth . He citeth not 1085 authorities of other histories , but even for his entry calleth the sweet Muses to ...
Стр. 103
... never find the audience favourable to this kind of writing , till we could produce as good plays in rhyme , as Ben ... never equal them , but they could never equal themselves , were they to rise and write again . We 2065 acknowledge ...
... never find the audience favourable to this kind of writing , till we could produce as good plays in rhyme , as Ben ... never equal them , but they could never equal themselves , were they to rise and write again . We 2065 acknowledge ...
Стр. 249
... never been born ; if the Hebrew poetry had never been translated ; if a revival of the study of Greek literature had never taken place ; if no monuments of ancient sculpture had been handed down to us ; and if the poetry of the religion ...
... never been born ; if the Hebrew poetry had never been translated ; if a revival of the study of Greek literature had never taken place ; if no monuments of ancient sculpture had been handed down to us ; and if the poetry of the religion ...
Содержание
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
Авторские права | |
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English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Просмотр фрагмента - 1962 |
Часто встречающиеся слова и выражения
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write