English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - Всего страниц: 398 |
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Стр. 132
... once discovered to be perfect ; but the poems of Homer we yet know not to transcend the common limits of human intelligence , but by remarking , 45 that nation after nation , and century after century , has been able to do little more ...
... once discovered to be perfect ; but the poems of Homer we yet know not to transcend the common limits of human intelligence , but by remarking , 45 that nation after nation , and century after century , has been able to do little more ...
Стр. 160
... once quell a thousand absurdities . * * Notes are often necessary , but they are necessary evils . Let him , that is yet unacquainted with the powers of Shakespeare , and who desires to feel the highest pleasure that the drama can 1130 ...
... once quell a thousand absurdities . * * Notes are often necessary , but they are necessary evils . Let him , that is yet unacquainted with the powers of Shakespeare , and who desires to feel the highest pleasure that the drama can 1130 ...
Стр. 263
... once conspicuous but now obscure , and to quarrel with a careless public for skipping , in obedience to mere tradition and habit , from one famous name or work in its national poetry to another , ignorant 120 of what it misses , and of ...
... once conspicuous but now obscure , and to quarrel with a careless public for skipping , in obedience to mere tradition and habit , from one famous name or work in its national poetry to another , ignorant 120 of what it misses , and of ...
Содержание
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
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English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Просмотр фрагмента - 1962 |
Часто встречающиеся слова и выражения
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write