English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - Всего страниц: 398 |
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Стр. 61
... perfection , but never acquired any that was new . We draw not therefore after their lines , but those of 450 nature ; and having the life before us , besides the experience of all they knew , it is no wonder if we hit some airs and ...
... perfection , but never acquired any that was new . We draw not therefore after their lines , but those of 450 nature ; and having the life before us , besides the experience of all they knew , it is no wonder if we hit some airs and ...
Стр. 236
... perfection , ever co - existed with the moral 455 and intellectual greatness of the age . The tragedies of the Athe- nian poets are as mirrors in which the spectator beholds himself , under a thin disguise of circumstance , stripped of ...
... perfection , ever co - existed with the moral 455 and intellectual greatness of the age . The tragedies of the Athe- nian poets are as mirrors in which the spectator beholds himself , under a thin disguise of circumstance , stripped of ...
Стр. 329
... perfection attained within a limiting aestheticism . Remarkable intelligence and character are implied in that attainment , especially when we consider the starting - point and the surrounding influences : the beginning in ' pleasant ...
... perfection attained within a limiting aestheticism . Remarkable intelligence and character are implied in that attainment , especially when we consider the starting - point and the surrounding influences : the beginning in ' pleasant ...
Содержание
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
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English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Просмотр фрагмента - 1962 |
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action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write