English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - Всего страниц: 398 |
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Стр. 184
... produced , many obstacles might have been removed , and the Reader assisted in perceiving that the powers of lan- 860 guage are not so limited as he may suppose ; and that it is possible for poetry to give other enjoyments , of a purer ...
... produced , many obstacles might have been removed , and the Reader assisted in perceiving that the powers of lan- 860 guage are not so limited as he may suppose ; and that it is possible for poetry to give other enjoyments , of a purer ...
Стр. 185
... produced , 895 differing materially from the real language of men in any situa- tion . The Reader or Hearer of this distorted language found himself in a perturbed and unusual state of mind : when affected by the genuine language of ...
... produced , 895 differing materially from the real language of men in any situa- tion . The Reader or Hearer of this distorted language found himself in a perturbed and unusual state of mind : when affected by the genuine language of ...
Стр. 251
... produced by labour and study . The toil and the delay recom- mended by critics , can be justly interpreted to mean no more than a careful observation of the inspired moments , and an artificial connexion of the spaces between their ...
... produced by labour and study . The toil and the delay recom- mended by critics , can be justly interpreted to mean no more than a careful observation of the inspired moments , and an artificial connexion of the spaces between their ...
Содержание
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
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English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Просмотр фрагмента - 1962 |
Часто встречающиеся слова и выражения
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write