English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - Всего страниц: 398 |
Результаты поиска по книге
Результаты 1 – 3 из 38
Стр. 58
... represented : since therefore , all plays are acted on the theatre in the space of time much within the compass of twenty - four hours , that play is to be thought the nearest imitation of nature , whose plot or action is confined ...
... represented : since therefore , all plays are acted on the theatre in the space of time much within the compass of twenty - four hours , that play is to be thought the nearest imitation of nature , whose plot or action is confined ...
Стр. 76
... representing duels , battles , and the like ; which renders our stage too like the theatres where they fight prizes . For ... represented , we are convinced it is but fiction ; but when we hear it related , our eyes , the 1025 strongest ...
... representing duels , battles , and the like ; which renders our stage too like the theatres where they fight prizes . For ... represented , we are convinced it is but fiction ; but when we hear it related , our eyes , the 1025 strongest ...
Стр. 145
... represented , the real and poetical duration is the same . If , in the first act , prepara- tions for war against Mithridates are represented to be made in Rome , the event of the war may , without absurdity , be repre- sented , in the ...
... represented , the real and poetical duration is the same . If , in the first act , prepara- tions for war against Mithridates are represented to be made in Rome , the event of the war may , without absurdity , be repre- sented , in the ...
Содержание
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
Авторские права | |
Не показаны другие разделы: 8
Другие издания - Просмотреть все
English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Просмотр фрагмента - 1962 |
Часто встречающиеся слова и выражения
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write