English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - Всего страниц: 398 |
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Стр. 59
... scènes , the continuity or joining of the scenes ; and ' tis a good mark of a well - contrived play , when all the persons are known to each other , and every one of them has some affairs with all the rest . ' As for the third unity ...
... scènes , the continuity or joining of the scenes ; and ' tis a good mark of a well - contrived play , when all the persons are known to each other , and every one of them has some affairs with all the rest . ' As for the third unity ...
Стр. 65
... scenes ; but the reason is , because they have seldom above two or three scenes , properly so called , in every act ; for it is to be accounted a new scene , not only every time the stage is empty ; but every person who enters , though ...
... scenes ; but the reason is , because they have seldom above two or three scenes , properly so called , in every act ; for it is to be accounted a new scene , not only every time the stage is empty ; but every person who enters , though ...
Стр. 86
... scenes , they are forced many times to omit some beauties which cannot be 1400 shown where the act began ; but might , if the scene were inter- rupted , and the stage cleared for the persons to enter in another place ; and therefore the ...
... scenes , they are forced many times to omit some beauties which cannot be 1400 shown where the act began ; but might , if the scene were inter- rupted , and the stage cleared for the persons to enter in another place ; and therefore the ...
Содержание
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
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English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Просмотр фрагмента - 1962 |
Часто встречающиеся слова и выражения
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write