English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - Всего страниц: 398 |
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Стр. 100
... sense naturally , and the due placing them adapts the rhyme to it . If you object that one verse may be made for the sake of another , though both the 1955 words and rhyme be apt , I answer , it cannot possibly so fall out ; for either ...
... sense naturally , and the due placing them adapts the rhyme to it . If you object that one verse may be made for the sake of another , though both the 1955 words and rhyme be apt , I answer , it cannot possibly so fall out ; for either ...
Стр. 247
... sense of the word , upon their own and all succeeding times . But poets have been challenged to resign the civic crown to reasoners and mechanists , on another plea . It is admitted that the exercise of the imagination is most ...
... sense of the word , upon their own and all succeeding times . But poets have been challenged to resign the civic crown to reasoners and mechanists , on another plea . It is admitted that the exercise of the imagination is most ...
Стр. 294
... sense , which we may call nearly indispensable to anyone who would con- tinue to be a poet beyond his twenty - fifth year ; and the histori- 50 cal sense involves a perception , not only of the pastness of the past , but of its presence ...
... sense , which we may call nearly indispensable to anyone who would con- tinue to be a poet beyond his twenty - fifth year ; and the histori- 50 cal sense involves a perception , not only of the pastness of the past , but of its presence ...
Содержание
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
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English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Просмотр фрагмента - 1962 |
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action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write