English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - Всего страниц: 398 |
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Стр. 9
... speak metaphorically , a 255 speaking picture , with this end , to teach and delight . Of this have been three several kinds . The chief , both in antiquity and excellency , were they that did imitate the incon- ceivable excellencies of ...
... speak metaphorically , a 255 speaking picture , with this end , to teach and delight . Of this have been three several kinds . The chief , both in antiquity and excellency , were they that did imitate the incon- ceivable excellencies of ...
Стр. 79
... speak of the beauty of their rhyme , and the just reason I have to prefer that way of writing in tragedies 1130 before ours in blank verse ; but because it is partly received by us , and therefore not altogether peculiar to them , I ...
... speak of the beauty of their rhyme , and the just reason I have to prefer that way of writing in tragedies 1130 before ours in blank verse ; but because it is partly received by us , and therefore not altogether peculiar to them , I ...
Стр. 88
... speak of the play , to give us a character of the author ; and tell us frankly your opinion , whether you do not think all writers , both French and English , ought to give place 1490 to him . ' ' I fear , ' replied Neander , ' that in ...
... speak of the play , to give us a character of the author ; and tell us frankly your opinion , whether you do not think all writers , both French and English , ought to give place 1490 to him . ' ' I fear , ' replied Neander , ' that in ...
Содержание
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
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English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Просмотр фрагмента - 1962 |
Часто встречающиеся слова и выражения
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write