English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - Всего страниц: 398 |
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Стр. 76
... stage too like the theatres where they fight prizes . For what is more ridiculous than to represent an army with a drum and five men behind it ; all which the hero of the other side is to drive in before him ; or to see a duel 1005 ...
... stage too like the theatres where they fight prizes . For what is more ridiculous than to represent an army with a drum and five men behind it ; all which the hero of the other side is to drive in before him ; or to see a duel 1005 ...
Стр. 79
... stage shall be evident ; which rule , if observed , must needs render all the events in the play more natural ; for there you see the probability of every 1120 accident , in the cause that produced it ; and that which appears chance in ...
... stage shall be evident ; which rule , if observed , must needs render all the events in the play more natural ; for there you see the probability of every 1120 accident , in the cause that produced it ; and that which appears chance in ...
Стр. 145
... stage at one time for the palace of the Ptolemies , may take it in half an hour for the promontory of Actium ... stage a field . The truth is , that the spectators are always in their senses , and know , from the first act to the last ...
... stage at one time for the palace of the Ptolemies , may take it in half an hour for the promontory of Actium ... stage a field . The truth is , that the spectators are always in their senses , and know , from the first act to the last ...
Содержание
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
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English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Просмотр фрагмента - 1962 |
Часто встречающиеся слова и выражения
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write