English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - Всего страниц: 398 |
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Стр. 133
... tion , though long continued , may yet be only the approbation of prejudice or fashion ; it is proper to inquire , by what pecu- liarities of excellence Shakespeare has gained and kept the favour of his countrymen . Nothing can please ...
... tion , though long continued , may yet be only the approbation of prejudice or fashion ; it is proper to inquire , by what pecu- liarities of excellence Shakespeare has gained and kept the favour of his countrymen . Nothing can please ...
Стр. 180
... tion , kindred to that which was before the subject of contempla- tion , is gradually produced , and does itself actually exist in the 700 mind . In this mood successful composition generally begins , and in a mood similar to this it is ...
... tion , kindred to that which was before the subject of contempla- tion , is gradually produced , and does itself actually exist in the 700 mind . In this mood successful composition generally begins , and in a mood similar to this it is ...
Стр. 185
... tion whatsoever . A language was thus insensibly produced , 895 differing materially from the real language of men in any situa- tion . The Reader or Hearer of this distorted language found himself in a perturbed and unusual state of ...
... tion whatsoever . A language was thus insensibly produced , 895 differing materially from the real language of men in any situa- tion . The Reader or Hearer of this distorted language found himself in a perturbed and unusual state of ...
Содержание
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
Авторские права | |
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English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Просмотр фрагмента - 1962 |
Часто встречающиеся слова и выражения
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write