English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - Всего страниц: 398 |
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Стр. 31
... true which is false ; so as the 1080 other artists , and especially the historian , affirming many things , can , in the cloudy knowledge of mankind , hardly escape from many lies . But the poet , as I said before , never affirmeth ...
... true which is false ; so as the 1080 other artists , and especially the historian , affirming many things , can , in the cloudy knowledge of mankind , hardly escape from many lies . But the poet , as I said before , never affirmeth ...
Стр. 186
... true , that the language of the earliest Poets was felt to differ materially from ordinary language , because it 920 was the language of extraordinary occasions ; but it was really spoken by men , language which the Poet himself had ...
... true , that the language of the earliest Poets was felt to differ materially from ordinary language , because it 920 was the language of extraordinary occasions ; but it was really spoken by men , language which the Poet himself had ...
Стр. 264
... true and right meaning of the word classic , classical ) , then the great thing for us is to feel and enjoy his work as deeply as ever we can , and to appreciate the wide difference between it and 160 all work which has not the same ...
... true and right meaning of the word classic , classical ) , then the great thing for us is to feel and enjoy his work as deeply as ever we can , and to appreciate the wide difference between it and 160 all work which has not the same ...
Содержание
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
Авторские права | |
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English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Просмотр фрагмента - 1962 |
Часто встречающиеся слова и выражения
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judge judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write