Masterworks of World Literature, Volume 2Edwin M. Everett, Calvin Smith Brown, Robert Ligon Harrison Holt, Rinehart and Winston, 1970 |
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Page v
... Juliet stems from the fact that our students are now considerably more mature in many ways than they were in the late 1940s , and the addition of Lysistrata is made possible by this same fact . The Nibelungenlied is replaced by the Lay ...
... Juliet stems from the fact that our students are now considerably more mature in many ways than they were in the late 1940s , and the addition of Lysistrata is made possible by this same fact . The Nibelungenlied is replaced by the Lay ...
Page 4
... Juliet . The great tragedies of his mature years — Hamlet , King Lear , Othello , and Macbeth — are all tragedies of character , in that they grow out of flaws of the protagonist in relation to his world . The " histories , ' those ...
... Juliet . The great tragedies of his mature years — Hamlet , King Lear , Othello , and Macbeth — are all tragedies of character , in that they grow out of flaws of the protagonist in relation to his world . The " histories , ' those ...
Page 5
... Juliet's great declaration of young love is exchanged while Juliet is on the stage balcony , many feet above Romeo , rather than passionately embraced in his arms . This difficulty is even more obvious in Antony and Cleopatra , which is ...
... Juliet's great declaration of young love is exchanged while Juliet is on the stage balcony , many feet above Romeo , rather than passionately embraced in his arms . This difficulty is even more obvious in Antony and Cleopatra , which is ...
Contents
SHAKESPEARE Antony and Cleopatra | 3 |
MILTON Paradise Lost | 111 |
LYRIC POETRY OF THE RENAISSANCE | 217 |
Copyright | |
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AGRIPPA ANTONY ARICIA arms asked began believe BRENDEL CAESAR called Candide CENONE CHARMIAN Cipolla CLÉANTE Cunegonde Darbedat dare dear death door DORINE earth ELMIRE ENOBARBUS enters EROS everything evil exits eyes face father FAUST fear feel felt gave give gods hand happy hath head hear heard heart Heaven Hippolytus Houyhnhnms Ivan Ilyitch King knew KROLL lady leave LEPIDUS live look lord MADAM HELSETH MAECENAS MARIANE Mark Antony MENAS THE PIRATE MEPHISTOPHELES MESSENGER mind Molière MORTENSGÅRD Neoclassicism never night once ORGON pain Pangloss PHÆDRA Pierre POMPEY Pyotr Ivanovitch QUEEN CLEOPATRA REBECCA ROSMER Rosmersholm round SCARRED SOLDIER seemed ship side soon soul speak spirit stood sweet talk TARTUFFE tell thee THERAMENES THESEUS things thou thought took turned VALÈRE voice wife woman word Yahoos
References to this book
The Ascent of Society: The Social Imperative in Personal Salvation John S. Hatcher Limited preview - 2007 |