Shakespeare's Christian Dimension: An Anthology of CommentaryRoy Wesley Battenhouse Indiana University Press, 22 мая 1994 г. - Всего страниц: 520 "An impressive collection of ninety-two abridged essays identifying the Christian elements in Shakespeare's plays . . . a great feast of learning and beauty." —First Things "This is an exceptionally valuable book . . . very highly recommended" —Sixteenth Century Journal " . . . an exemplary work. In an age when footling matters often replace the great religious quandaries about what it means to live and die before God, Shakespeare's Christian Dimension helps restore our focus." —Pro Ecclesia This anthology reprints abridged versions of 92 critical commentaries on the influence of Shakespeare's Christian heritage on the shaping of his plays. It does not attempt to be exhaustive in its coverage, but to provide a useful sampling of valuable work. A supplementary bibliography of more than 250 further items encourages interested readers to further exploration. |
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Стр. 81
... scene Shylock as the embodiment of the Old Law represents Justice : " I stand for Judgment .... I stand here for Law " ( 4.1.103 , 142 ) , whereas Portia identifies herself with that " Quality of Mercy " enthroned by the New Law . Also ...
... scene Shylock as the embodiment of the Old Law represents Justice : " I stand for Judgment .... I stand here for Law " ( 4.1.103 , 142 ) , whereas Portia identifies herself with that " Quality of Mercy " enthroned by the New Law . Also ...
Стр. 335
... scene of vio- lent death — as if the suggestion of ultimate climax , proper to depictions of the Crucifixion , had been carried over into the smaller - scaled secular tragedy of the fall and death ( the " passion " ) of the " good ...
... scene of vio- lent death — as if the suggestion of ultimate climax , proper to depictions of the Crucifixion , had been carried over into the smaller - scaled secular tragedy of the fall and death ( the " passion " ) of the " good ...
Стр. 336
... scene . From The Origins of Shakespeare ( Oxford University Press , 1977 ) , pp . 51-55 abridged . Used by ... scene depic- itng the torture of York by Clifford and Queen Margaret in 3 Henry VI . The de- tails of this scene — the ...
... scene . From The Origins of Shakespeare ( Oxford University Press , 1977 ) , pp . 51-55 abridged . Used by ... scene depic- itng the torture of York by Clifford and Queen Margaret in 3 Henry VI . The de- tails of this scene — the ...
Содержание
SOME KEY ASSESSMENTS | 15 |
ON SHAKESPEARES COMEDIES | 55 |
The Merchant of Venice | 68 |
Авторские права | |
Не показаны другие разделы: 12
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Shakespeare's Christian Dimension: An Anthology of Commentary Roy Wesley Battenhouse Недоступно для просмотра - 1994 |
Часто встречающиеся слова и выражения
abridged action allegory allusion Angelo Antonio Antony and Cleopatra audience Augustine Bassanio Battenhouse Bertram Bible biblical charity Christ Christian Claudio Cleopatra comedy comic Cordelia critics Cymbeline Dante death divine drama Duke echo editor's title Elizabethan evil faith Falstaff father fool Geneva Bible Ghost God's grace Hamlet hath heaven Helena hell Henry hero Herod holy human imagery innocent Jessica Juliet justice King Lear Leontes Lord Macbeth marriage meaning Measure for Measure medieval mercy moral murder mystery nature night Othello Pandarus parody passion Pericles play's Portia Posthumus prayer Prince Prospero redemption reference religious Renaissance repentance revenge Richard Richard III role Roman Romeo Romeo and Juliet sacramental says scene sense Shakespeare Shakespeare's play shepherd Shylock soul speech spiritual story suggests symbolic Tempest thee theme things thou tion tradition tragedy tragic Troilus truth Twelfth Night University Press Viola virtue Winter's Tale words