The Quarterly Review, Volumes 263-264William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, William Smith, Sir John Murray IV, Rowland Edmund Prothero (Baron Ernle), George Walter Prothero John Murray, 1934 |
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Page 99
... artists were capable . And a subject painted so universally in medieval times as this , becomes a kind of touchstone by which we can measure , not only the stature of artists but the concep- tions of divine nature to which they were ...
... artists were capable . And a subject painted so universally in medieval times as this , becomes a kind of touchstone by which we can measure , not only the stature of artists but the concep- tions of divine nature to which they were ...
Page 100
... artists for so long , it was only between the thirteenth and the sixteenth centuries that it became really common . But during that four hundred years the doctrine of the Atone- ment remained almost constant so that , when religious art ...
... artists for so long , it was only between the thirteenth and the sixteenth centuries that it became really common . But during that four hundred years the doctrine of the Atone- ment remained almost constant so that , when religious art ...
Page 102
... artist should turn theologian or even perhaps , that through having himself experienced the saving power of the Cross , he should be in complete spiritual harmony with the theme . There have been artists like Guido Reni and Perugini who ...
... artist should turn theologian or even perhaps , that through having himself experienced the saving power of the Cross , he should be in complete spiritual harmony with the theme . There have been artists like Guido Reni and Perugini who ...
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