Shakespearean Criticism YearbookMichele Lee Gale Research International, Limited, 1998 - Всего страниц: 420 Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
Результаты поиска по книге
Результаты 1 – 3 из 87
Стр. 39
... calls the " metaphysics of gender substance " continues in his role as Sir Topas , the Pythagorean curate , in act 4. " That that is , is , " " the learned cross - dressing Sir Topas pro- claims , " I , being Master Parson , am Master ...
... calls the " metaphysics of gender substance " continues in his role as Sir Topas , the Pythagorean curate , in act 4. " That that is , is , " " the learned cross - dressing Sir Topas pro- claims , " I , being Master Parson , am Master ...
Стр. 282
... calls upon Brabanzio to ' recognize ' his voice ( ' Most reverend signor , do you know my voice ? ' [ 93 ] ) . He calls upon Brabanzio not merely to recognize that it is Roderigo who speaks but also to recognize that the speaker's ...
... calls upon Brabanzio to ' recognize ' his voice ( ' Most reverend signor , do you know my voice ? ' [ 93 ] ) . He calls upon Brabanzio not merely to recognize that it is Roderigo who speaks but also to recognize that the speaker's ...
Стр. 318
... call the " female " tongue . We might understand the tropological status of what counts as female in this play in one further way . As we have seen , what Felman calls an unconscious " breach in knowledge " is marked by the misfiring of ...
... call the " female " tongue . We might understand the tropological status of what counts as female in this play in one further way . As we have seen , what Felman calls an unconscious " breach in knowledge " is marked by the misfiring of ...
Содержание
Hotspur and the Discourse of Honor | 101 |
Paula Blank Speaking Freely about Richard II | 120 |
Maurice Hunt Shakespeares King Richard III and the Problematics of Tudor Bastardy | 132 |
Авторские права | |
Не показаны другие разделы: 15
Другие издания - Просмотреть все
Shakespearean Criticism: Excerpts from the Criticism of William ..., Том 28 Просмотр фрагмента - 1984 |
Часто встречающиеся слова и выражения
action Angelo Antipholus argues audience Aufidius bastardy becomes body Bolingbroke calls character Comedy of Errors consolation context Coppélia Coriolanus critics death Desdemona desire discourse Dollimore domestic dramatic Dromio Duke Duke's Edward Elizabethan Emilia England English erotic essay Falstaff fantasy female gender grotesque Hamlet hath Henry Henry IV Hermione Hermione's Hippolyta honor Hotspur human Iago Iago's identity imagination King lago language Leontes lines London lover Macbeth male Marcius marriage means metaphor Montaigne mother nature Neoplatonic Noble Kinsmen Oberon Othello Pericles play's poem political Press production Prospero queen reading relation Renaissance rhetorical Richard Richard II role scene seems sense sexual Shake Shakespeare Shakespeare's play Silvia Sinfield social sonnets speak speaker speare speare's speech stage story suggests tells Tempest theatrical thee Theseus thou tion Titania tragedy Troilus and Cressida Twelfth Night voice Winter's Tale woman women words York