The Quarterly Review, Volumes 258-259John Murray, 1932 |
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Page 244
... influence upon the development of art in France . Another reason is found in the extension of Flemish influence from the north . But it is impossible that Simone Martini should have worked in fresco and altarpieces at Avignon for five ...
... influence upon the development of art in France . Another reason is found in the extension of Flemish influence from the north . But it is impossible that Simone Martini should have worked in fresco and altarpieces at Avignon for five ...
Page 245
... influence of the Flemings , and especially of the Van Eycks , was then predominant . How much this influence remained as a permanent factor of his style is seen in his portrait of Juvenal des Ursins in the Louvre , a work of his later ...
... influence of the Flemings , and especially of the Van Eycks , was then predominant . How much this influence remained as a permanent factor of his style is seen in his portrait of Juvenal des Ursins in the Louvre , a work of his later ...
Page 399
... Influence on French Art , 242-257 . Italian Art Exhibition , 1930..244 . Italy , agreement between England and , 90-91 . J. von Jagow , Herr , on Belgian neu- trality , 211 , 212 . Jeans , Sir James , allusion to his book ' The ...
... Influence on French Art , 242-257 . Italian Art Exhibition , 1930..244 . Italy , agreement between England and , 90-91 . J. von Jagow , Herr , on Belgian neu- trality , 211 , 212 . Jeans , Sir James , allusion to his book ' The ...
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Bibliographic information
| Title | The Quarterly Review, Volumes 258-259 |
| Contributors | William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, William Smith, Sir John Murray IV, Rowland Edmund Prothero (Baron Ernle), George Walter Prothero |
| Publisher | John Murray, 1932 |
| Original from | University of Iowa |
| Digitized | 26 Jul 2022 |
| Export Citation | BiBTeX EndNote RefMan |