Extensions: Essays in English Studies from Shakespeare to the Spice GirlsExtensions is a refreshing and stimulating collection of essays that illustrates the diversity of subject matter and the variety of critical approaches now used in English Studies. Covering traditional and contemporary works, this book encourages readers to rethink and rediscover aspects of familiar texts. |
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Contents
Introduction | 1 |
ReWritings | 3 |
New and Old Worlds in The Tempest | 12 |
Ophelia Centre Stage | 25 |
Two Poems | 42 |
Homeless at home | 55 |
Passion versus Principle | 72 |
Elizabeth Jolleys The Well and the Female Gothic | 89 |
223 | 140 |
Jack Davis and Archie Weller | 141 |
Representation Power and Genre in The Piano | 158 |
Did he smile his work to see? The Compelling Aesthetics | 172 |
The XFiles | 186 |
25 | 198 |
Girl Culture or Why Study the Spice Girls? | 199 |
Contributors | 216 |
Common terms and phrases
Aboriginal Achebe action African appears argues Australian authority become beginning body Caliban century characters colonial criticism culture death define desire Dickinson domestic dominant Emily English essay example existence experience fact fear female feminist figure film final force gender gives Gothic Hamlet Heart of Darkness Hester horror human idea identity important interest Jane kind Lambs language Lecter literary live London look male Marlow marriage masculinity means mind narrative nature novel Ophelia perhaps Piano play poem political popular position possible present produced Prospero questions reader reason relation representation represented role scene seems seen sense sexual Silence social society space speak Spice Girls story studies suggests tale tells texts things tion traditional turn woman women writing
Bibliographic information
| Title | Extensions: Essays in English Studies from Shakespeare to the Spice Girls |
| Editors | Sue Hosking, Dianne Schwerdt |
| Publisher | Wakefield Press, 1999 |
| ISBN | 1862544980, 9781862544987 |
| Length | 220 pages |
| Export Citation | BiBTeX EndNote RefMan |