The Myth of the Picaro: Continuity and Transformation of the Picaresque Novel, 1554-1954University of North Carolina Press, 1979 - 267 pages This critical interpretation of the origins of modern fiction follows the transformation of the picaresque novel over four centuries through the literature of Spain, France, England, Germany, Russia, and the United States. Blackburn uses for the first time the resources of myth criticism to demonstrate how the picaresque masterpieces of the Spanish Golden Age founded a narrative structure that was continued by Defoe, Smollett, Melville, Twain, and Mann. Originally published in 1979. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value. |
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Page 9
... Rojas : The Intellectual and Social Landscape of " La Celestina . " 10 Rojas was a Renaissance man but also what was called in Spain a converso , a Christian of Jewish origin - a person who might have abandoned one faith without gaining ...
... Rojas : The Intellectual and Social Landscape of " La Celestina . " 10 Rojas was a Renaissance man but also what was called in Spain a converso , a Christian of Jewish origin - a person who might have abandoned one faith without gaining ...
Page 10
... Rojas was perhaps twelve years old his father was arrested , imprisoned , tried , found guilty , and in all likelihood executed by fire in an auto - de - fé . Rojas graduated in law at Salamanca between 1497 and 1500 and thereafter ...
... Rojas was perhaps twelve years old his father was arrested , imprisoned , tried , found guilty , and in all likelihood executed by fire in an auto - de - fé . Rojas graduated in law at Salamanca between 1497 and 1500 and thereafter ...
Page 217
... Rojas , p . 136 . 13. Gilman , Spain of Fernando de Rojas , pp . 104 , 85 . 14. Ibid . , pp . 20 , 23 . 15. Ibid . , pp . 76–77 , 106 , 144–53 . 16. Karl Kerényi , “ The Trickster in Relation to Greek Mythology , ” p . 185 . 17. Guillén ...
... Rojas , p . 136 . 13. Gilman , Spain of Fernando de Rojas , pp . 104 , 85 . 14. Ibid . , pp . 20 , 23 . 15. Ibid . , pp . 76–77 , 106 , 144–53 . 16. Karl Kerényi , “ The Trickster in Relation to Greek Mythology , ” p . 185 . 17. Guillén ...
Contents
1979 | 23 |
The Souls Dark Journey 26 | 26 |
The Conversion of the Natural Man 93 | 93 |
Copyright | |
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The Myth of the Picaro: Continuity and Transformation of the Picaresque ... Alexander Blackburn No preview available - 2014 |
Common terms and phrases
adventures American appearance archetype artist Barry Lyndon become Buscón century Cervantes character Claudio Guillén comic confidence Confidence-Man converso Count Fathom critical cultural Dead Souls death Defoe Defoe's disintegration Don Quixote eighteenth eighteenth-century English episode evil faith feeling Felix Krull Fernando de Rojas Fernando Lázaro Carreter fiction freedom genre Gil Blas Gogol Guillén Guzmán de Alfarache hero Huck Huck's Huckleberry Finn human humor idea illusion individual irony Jonathan Wild Krull Lazarillo de Tormes Lázaro Lesage literary living London man's Mann's Mateo Alemán means Melville Melville's Moby-Dick modern novel moral mythic narrative nature nonpicaresque novela picaresca original Pablos parody passions pica picaresque myth picaresque novelists picaresque tradition picaro Quevedo reader realism reality religious resque rogue Roguery Rojas romance satire seems sense Simon Suggs Smollett social society Spain Spanish Literature Spanish novels Spanish picaresque novels spiritual squire story structure symbolic theme tion trickster vida writers