A Grammar of Elocution: Containing the Principles of the Arts of Reading and Speaking : Illustrated by Appropriate Exercises and Examples, Adapted to Colleges, Schools, and Private Instruction : the Whole Arranged in the Order in which it is Taught in Harvard University
A.H. Maltby, 1832 - 346 pages
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A Grammar of Elocution: Containing the Principles of the Arts of Reading and ...
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arms articulation cadence called circumstances clear close combination concrete consists consonant delivery described direct discourse discrete distinct downward slide earth effect elementary elements emphasis employed equal example exercise expression eyes falling father feel fifth force give given hand heard heart heaven importance impressive instance intervals letter light Line live Lord manner marked means measure melody mind movement natural never observed once opening organs pauses persons pitch possible practice produced pronounced pronunciation quantity radical rest rising semitone sense sentence short simple slide sometimes sound speak speaker speech stress strong student succession syllables thee thing third thou thought tion tone true unto utterance vanish voice vowel wave whole word
Page 113 - I heard the bell tolled on thy burial day, I saw the hearse that bore thee slow away, And, turning from my nursery window, drew A long, long sigh, and wept a last adieu ! But was it such ? It was.
Page 113 - Perhaps a tear, if souls can weep in bliss — Ah, that maternal smile! it answers — yes. I heard the bell tolled on thy burial -day, I saw the hearse that bore thee slow away, And turning from my nursery window, drew A long, long sigh, and wept a last adieu ! But was it such?
Page 184 - She saith unto him, Yea, Lord : I believe that thou art the Christ the Son of God, which should come into the world.
Page 50 - On what foundation stands the warrior's pride? How just his hopes, let Swedish Charles decide; A frame of adamant, a soul of fire, No dangers fright him, and no labours tire...
Page 164 - British earth, that the ground on which he treads is holy, and consecrated by the genius of universal emancipation. No matter in what language his doom may have been pronounced; no matter what complexion incompatible with freedom, an Indian or an African sun may have burnt upon him; no matter in what disastrous battle his liberty may have been cloven down; no matter with what solemnities he may have been devoted upon the altar of slavery, — the...
Page 135 - Here hills and vales, the woodland and the plain, Here earth and water, seem to strive again ; Not chaos-like together crushed and bruised, But as the world harmoniously confused: Where order in variety we see, And where, though all things differ, all agree.
Page 149 - Love framed with Mirth a gay fantastic round: Loose were her tresses seen, her zone unbound ; And he, amidst his frolic play, As if he would the charming air repay, Shook thousand odors from his dewy wings.
Page 87 - the greater genius ; Virgil the better artist : in the " one, we most admire the man ; in the other, the " work. Homer hurries us with a commanding " impetuosity ; Virgil leads us with an attractive " majesty. Homer scatters with a generous profusion ; " Virgil bestows with a careful magnificence. Homer, " like the Nile, pours out his riches with a sudden " overflow ; Virgil, like a river in its banks, with a
Page 153 - Shylock, we would have moneys : ' you say so ; You, that did void your rheum upon my beard And foot me as you spurn a stranger cur Over your threshold : moneys is your suit. What should I say to you ? Should I not say ' Hath a dog money ? is it possible A cur can lend three thousand ducats...
Page 184 - In the midst of life we are in death: of whom may we seek for succour, but of Thee, O Lord, who for our sins art justly displeased? Yet, O Lord God most holy, O Lord most mighty, O holy and most merciful Saviour, deliver us not into the bitter pains of eternal death.