Interpretations of Literature, Volume 2Dodd, Mead, 1915 Lectures to his students while he "held the chair of English literature in the University of Tokyo from 1896 to 1902"--Confer Introduction. |
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Page 2
... characters , about the meaning of his plays , about the rela- tion of his life to his art , about his subjectivity , about his objectivity , about the chronology of his dramas , about the source of his inspiration , about his verse ...
... characters , about the meaning of his plays , about the rela- tion of his life to his art , about his subjectivity , about his objectivity , about the chronology of his dramas , about the source of his inspiration , about his verse ...
Page 3
... characters , every one of which is essentially and totally different from every other , and all of which are perfectly real , perfectly alive , perfectly in- teresting , never under any circumstances unnatural . To create one such character ...
... characters , every one of which is essentially and totally different from every other , and all of which are perfectly real , perfectly alive , perfectly in- teresting , never under any circumstances unnatural . To create one such character ...
Page 4
... characters . Every one of you have seen a cat . You have seen it not once , but perhaps a thousand times ; and as children you have certainly played with kit- tens , so that you had a good opportunity to study every part of the animal's ...
... characters . Every one of you have seen a cat . You have seen it not once , but perhaps a thousand times ; and as children you have certainly played with kit- tens , so that you had a good opportunity to study every part of the animal's ...
Page 6
... character , the play of moral feeling which makes a char- acter , and to do this in four or five different moods ... characters of every age and sex . The problem of Shakespeare is therefore a psychological problem ; and if it took the ...
... character , the play of moral feeling which makes a char- acter , and to do this in four or five different moods ... characters of every age and sex . The problem of Shakespeare is therefore a psychological problem ; and if it took the ...
Page 7
... character to purely personal experience , we should have to say that he had the power of representing with ab- solute accuracy every feeling that he had ever known in any situation . No doubt a very considerable amount of per- sonal ...
... character to purely personal experience , we should have to say that he had the power of representing with ab- solute accuracy every feeling that he had ever known in any situation . No doubt a very considerable amount of per- sonal ...
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Common terms and phrases
able ancient Arachne artistic ballads beautiful Belisarius Berkeley Bible bird called century character charm classic composition cuckoo death dream emotion English literature English poetry English poets example eyes Eyjolf fact feeling flowers French Garden of Cyrus ghostly girl give Greek Haunted Palace Havamal heart heaven Herrick human idea imagine insects Itylus Japanese Japanese literature kind language Latin lines lish literary live Longfellow look means mind modern moon moral nature never night nightingale Norse old Norse perhaps Philomela plays poem poetry Procne prose quote race remember Sandalphon scarcely scholars Shakespeare sing Sir Thomas Browne skylark song soul sound speak spirit stanza stars story strange student style sweet tell Tereus terrible thee things thou thought tion to-day translation tree verse western wings word Wordsworth writers written young
Popular passages
Page 318 - The sea is calm to-night. The tide is full, the moon lies fair Upon the straits ; — on the French coast the light Gleams and is gone ; the cliffs of England stand, Glimmering and vast, out in the tranquil bay.
Page 124 - TO HELEN Helen, thy beauty is to me Like those Nicean barks of yore, That gently, o'er a perfumed sea, The weary, way-worn wanderer bore To his own native shore. On desperate seas long wont to roam, Thy hyacinth hair, thy classic face, Thy Naiad airs have brought me home To the glory that was Greece And the grandeur that was Rome.
Page 272 - HE clasps the crag with crooked hands ; Close to the sun in lonely lands, Ring'd with the azure world, he stands. The wrinkled sea beneath him crawls ; He watches from his mountain walls, And like a thunderbolt he falls.
Page 238 - Philomel, with melody Sing in our sweet lullaby; Lulla, lulla, lullaby ; lulla, lulla, lullaby ; Never harm, nor spell nor charm, Come our lovely lady nigh; So, good night, with lullaby.
Page 126 - Hear the sledges with the bells Silver bells! What a world of merriment their melody foretells! How they tinkle, tinkle, tinkle, In the icy air of night! While the stars that oversprinkle All the heavens, seem to twinkle With a crystalline delight...
Page 238 - Everything did banish moan, Save the nightingale alone: She, poor bird, as all forlorn, Lean'd her breast up-till a thorn, And there sung the dolefull'st ditty, That to hear it was great pity. 'Fie, fie, fie...
Page 252 - When shepherds pipe on oaten straws, And merry larks are ploughmen's clocks, When turtles tread, and rooks, and daws, And maidens bleach their summer smocks, The cuckoo then, on every tree, Mocks married men, for thus sings he, Cuckoo ; Cuckoo, cuckoo...
Page 127 - Oh, from out the sounding cells, What a gush of euphony voluminously wells! How it swells! How it dwells On the Future!
Page 302 - I sighed for thee ; When light rode high, and the dew was gone, And noon lay heavy on flower and tree, And the weary Day turned to his rest, Lingering like an unloved guest, I sighed for thee. Thy brother Death came, and cried,
Page 124 - Helen, thy beauty is to me Like those Nicean barks of yore, That gently, o'er a perfumed sea, The weary, way-worn wanderer bore To his own native shore. On desperate seas long wont to roam, Thy hyacinth hair, thy classic face, Thy Naiad airs have brought me home To the glory that was Greece, And the grandeur that was Rome. Lo! in yon brilliant window-niche How statue-like I see thee stand, The agate lamp within thy hand! Ah, Psyche, from the regions which Are Holy Land!