The Speaking VoiceDavid McKay Company, 1962 - Всего страниц: 404 |
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Стр. 32
... movements , it is possible ( 1 ) to get an appro- priate supply of air into the lungs , and ( 2 ) to control the outgoing breath which is so vital in voice production . Although ... movement makes it possible to get 32 THE SPEAKING VOICE.
... movements , it is possible ( 1 ) to get an appro- priate supply of air into the lungs , and ( 2 ) to control the outgoing breath which is so vital in voice production . Although ... movement makes it possible to get 32 THE SPEAKING VOICE.
Стр. 35
... movement of the diaphragm is quick and abrupt . This upward movement of the diaphragm can be controlled by the inward push of the abdominal muscles during exhalation . A slow , steady inward push will support a slow , steady upward ...
... movement of the diaphragm is quick and abrupt . This upward movement of the diaphragm can be controlled by the inward push of the abdominal muscles during exhalation . A slow , steady inward push will support a slow , steady upward ...
Стр. 41
... movement of the arytenoids effects a similar movement of these bands . Their inward movement approximates the vocal bands for phonation ; their outward movement separates the bands for uninterrupted breathing . ( Figure 10 ) 2 5 3 6 4 ...
... movement of the arytenoids effects a similar movement of these bands . Their inward movement approximates the vocal bands for phonation ; their outward movement separates the bands for uninterrupted breathing . ( Figure 10 ) 2 5 3 6 4 ...
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Часто встречающиеся слова и выражения
abdominal muscles become begin body breath called carry cause cavity Chap chapter chest close conversational diphthongs efficient emotional energy English exercises exhale eyes fall faults feel front functional give hand head hear heard hoarseness important improvement indicate inflection Inhale initial keep King larynx lips listen live look lower lungs manner means mouth muscles musical nasal nasal cavities nasal sounds nature never night organic period person phrase pitch play pleasing position possible practice produced push raised Read Recorded relaxation Repeat resonance rest result round selections SHAKESPEARE sing soft palate sound speak speaker speech spread stand student teacher technique tense tension thee thou thought throat tion tone tongue vibrations vocal bands voice vowels wall weak