Speak! - astounded Hubert cannot; Long, and long was he unheard of: But Sir Eustace, whom good angels 90 100 110 Sounded the Horn which they alone could sound. A COMPLAINT 1806. 1807 Written at Town-end, Grasmere. Suggested by a change in the manner of a friend. THERE is a change and I am poor; What happy moments did I count ! In stray gifts to be claimed by whoever shall find." Suggested on the Thames by the sight of one of those floating mills that used to be seen there. This I noticed on the Surrey side between Somerset House and Blackfriars Bridge. Charles Lamb was with me at the time; and I thought it remarkable that I should have to point out to him, an idolatrous Londoner, a sight so interesting as the happy group dancing on the platform. Mills of this kind used to be, and perhaps still are, not uncommon on the Continent. I noticed several upon the river Saone in the year 1799, particularly near the town of Chalons, where my friend Jones and I halted a day when we crossed France; so far on foot there we embarked, and floated down to Lyons. By their floating mill, That lies dead and still, Behold yon Prisoners three, The Miller with two Dames, on the breast of the Thames ! The platform is small, but gives room for them all; And they're dancing merrily. Yet, Showman, where can lie the cause? Shall thy Implement have blame, A boaster, that when he is tried, fails, and is put to shame ? 10 Or is it good as others are, and be their eyes in fault? Their eyes, or minds? or, finally, is yon resplendent vault ? Is nothing of that radiant pomp so good as we have here? Or gives a thing but small delight that never can be dear? The silver moon with all her vales, and hills of mightiest fame, Doth she betray us when they 're seen? or are they but a name? Or is it rather that Conceit rapacious is and strong, And bounty never yields so much but it seems to do her wrong? Written at Town-end, Grasmere. The echo came from Nab-scar, when I was walking on the opposite side of Rydal Mere. I will here mention, for my dear Sister's sake, that, while she was sitting alone one day high up on this part of Loughrigg Fell, she was so affected by the voice of the Cuckoo heard from the crags at some distance that she could not suppress a wish to have a stone inscribed with her name among the rocks from which the sound proceeded. On my return from my walk I recited these verses to Mrs. Wordsworth. YES, it was the mountain Echo, Unsolicited reply To a babbling wanderer sent; In the cottage, Town-end, Grasmere, one afternoon in 1801, my sister read to me the Sonnets of Milton. I had long been well acquainted with them, but I was particularly struck on that occasion with the dignified simplicity and majestic harmony that runs through most of them, in character so totally different from the Italian, and still more so from Shakspeare's fine Sonnets. I took fire, if I may be allowed to say so, and produced three Sonnets the same afternoon, the first I ever wrote except an irregular one at school. Of these three, the only one I distinctly remember is "I grieved for Buonaparté." One was never written down: the third, which was, believe, preserved, I cannot particularise. I NUNS fret not at their convent's narrow room; And hermits are contented with their cells; And students with their pensive citadels; Maids at the wheel, the weaver at his loom, Sit blithe and happy; bees that soar for bloom, High as the highest Peak of Furness-fells, Will murmur by the hour in foxglove bells: In truth the prison, into which we doom Ourselves, no prison is: and hence for me, In sundry moods, 't was pastime to be bound Within the Sonnet's scanty plot of ground; Pleased if some Souls (for such there needs must be) PERSONAL TALK Written at Town-end, Grasmere. The last line but two stood, at first, better and more characteristically, thus: "By my half-kitchen and half-parlour fire." My Sister and I were in the habit of having the tea-kettle in our little sitting-room; and we toasted the bread ourselves, which reminds me of a little circumstance not unworthy of being set down among these minutiæ. Happening both of us to be engaged a few minutes one morning when we had a young prig of a Scotch lawyer to breakfast with us, my dear Sister, with her usual simplicity, put the toasting-fork with a slice of bread into the hands of this Edinburgh genius. Our little book-case stood on one side of the fire. To prevent loss of time, he took down a book, and fell to reading, to the neglect of the toast, which was burnt to a cinder. Many a time have we laughed at this circumstance, and other cottage simplicities of that day. By the bye, I have a spite at one of this series of Sonnets (I will leave the reader to discover which) as having been the means of nearly putting off for ever our acquaintance with dear Miss Fenwick, who has always stigmatised one line of it as vulgar, and worthy only of having been composed by a country squire. I I AM not One who much or oft delight Sons, mothers, maidens withering on the stalk, These all wear out of me, like Forms, with chalk Painted on rich men's floors, for one feastnight. Better than such discourse doth silence long, Long, barren silence, square with my de sire; To sit without emotion, hope, or aim, 10 And with a living pleasure we describe; And fits of sprightly malice do but bribe The languid mind into activity. Sound sense, and love itself, and mirth and glee Are fostered by the comment and the gibe." Even be it so; yet still among your tribe, 21 Our daily world's true Worldlings, rank not me! Children are blest, and powerful; their world lies More justly balanced; partly at their feet, And part far from them: sweetest melodies Are those that are by distance made more sweet; Whose mind is but the mind of his own eyes, He is a Slave; the meanest we can meet ! The very flowers are sacred to the Poor, The roses to the porch which they entwine: Yea, all, that now enchants thee, from the "BELOVED VALE!" I SAID, "BELOVED Vale!" I said, "when I shall con Those many records of my childish years, Remembrance of myself and of my peers Will press me down: to think of what is gone |