Prose of the Romantic PeriodProse excerpts from the works of William Wordsworth, Samuel Taylor Coleridge, Walter Savage Landor, Charles Lamb, William Hazlitt, Leigh Hunt, Thomas de Quincey, Lord Byron, Percy Bysshe Shelley, John Keats, and others. |
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Стр. 5
III These are the circumstances which are to be considered in estimating a pleasure or a pain considered each of them by itself . But when the value of any pleasure or pain is considered for the purpose of estimating the tendency of any ...
III These are the circumstances which are to be considered in estimating a pleasure or a pain considered each of them by itself . But when the value of any pleasure or pain is considered for the purpose of estimating the tendency of any ...
Стр. 132
If he did observe it , it was with the inward eye of meditation upon his own nature : for the time , he became Othello , and spoke as Othello , in such circumstances , must have spoken . Another remark I may make upon “ Romeo and Juliet ...
If he did observe it , it was with the inward eye of meditation upon his own nature : for the time , he became Othello , and spoke as Othello , in such circumstances , must have spoken . Another remark I may make upon “ Romeo and Juliet ...
Стр. 344
The characters in SHAKESPEAR do not declaim like pedantic school - boys , but speak and act like men , placed in real circumstances , with “ real hearts of flesh and blood beating in their bosoms . ” 1 No two of his characters are the ...
The characters in SHAKESPEAR do not declaim like pedantic school - boys , but speak and act like men , placed in real circumstances , with “ real hearts of flesh and blood beating in their bosoms . ” 1 No two of his characters are the ...
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JEREMY BENTHAM | 4 |
THOMAS PAINE | 11 |
THOMAS ROBERT MALTHUS | 20 |
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Часто встречающиеся слова и выражения
appeared beautiful become called carried cause character circumstances Coleridge common continued criticism death delight distinction dreams effect English equal essay existence expression face fancy feeling genius give hand head heart hope human idea images imagination impressions interest Italy John kind knowledge language less letters light lines living London look manner means mind moral nature never night objects observed once original pain pass passion perfect perhaps person play pleasure poem poet poetical poetry present principle produced reader reason scene seems seen sense Shakespeare side society sound speak spirit style supposed taken taste thing thou thought tion true truth turn understanding universal whole wish Wordsworth write young