Prose of the Romantic PeriodProse excerpts from the works of William Wordsworth, Samuel Taylor Coleridge, Walter Savage Landor, Charles Lamb, William Hazlitt, Leigh Hunt, Thomas de Quincey, Lord Byron, Percy Bysshe Shelley, John Keats, and others. |
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Стр. xiii
Much , and perhaps enough , has been written of late about this criticism.2 The briefest of summaries must suffice here . Never given to artistic codes , Great Britain simply ignored Blake's capsule dogmas , his ability to put the world ...
Much , and perhaps enough , has been written of late about this criticism.2 The briefest of summaries must suffice here . Never given to artistic codes , Great Britain simply ignored Blake's capsule dogmas , his ability to put the world ...
Стр. xiv
1 > 1 essential qualities of the work before him , the Romantic critic brought his own distinctive style into some degree of ... Perhaps the most famous and least understood aspect of English Romantic criticism , especially in regard to ...
1 > 1 essential qualities of the work before him , the Romantic critic brought his own distinctive style into some degree of ... Perhaps the most famous and least understood aspect of English Romantic criticism , especially in regard to ...
Стр. xxii
1 Bibliographical Guides For dependable and convenient guides to editions , scholarship , and criticism , students of Romantic prose can go to The English Romantic Poets : A Review of Research , ed . Thomas M. Raysor , revised edition ...
1 Bibliographical Guides For dependable and convenient guides to editions , scholarship , and criticism , students of Romantic prose can go to The English Romantic Poets : A Review of Research , ed . Thomas M. Raysor , revised edition ...
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JEREMY BENTHAM | 4 |
THOMAS PAINE | 11 |
THOMAS ROBERT MALTHUS | 20 |
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appeared beautiful become called carried cause character circumstances Coleridge common continued criticism death delight distinction dreams effect English equal essay existence expression face fancy feeling genius give hand head heart hope human idea images imagination impressions interest Italy John kind knowledge language less letters light lines living London look manner means mind moral nature never night objects observed once original pain pass passion perfect perhaps person play pleasure poem poet poetical poetry present principle produced reader reason scene seems seen sense Shakespeare side society sound speak spirit style supposed taken taste thing thou thought tion true truth turn understanding universal whole wish Wordsworth write young