Prose of the Romantic PeriodProse excerpts from the works of William Wordsworth, Samuel Taylor Coleridge, Walter Savage Landor, Charles Lamb, William Hazlitt, Leigh Hunt, Thomas de Quincey, Lord Byron, Percy Bysshe Shelley, John Keats, and others. |
Результаты поиска по книге
Результаты 1 – 3 из 85
Стр. 18
No consent of ours can divest us of our moral capacity . This is a species of property which we can neither barter nor resign ; and of consequence it is impossible for any government to derive its authority from an original contract ...
No consent of ours can divest us of our moral capacity . This is a species of property which we can neither barter nor resign ; and of consequence it is impossible for any government to derive its authority from an original contract ...
Стр. 247
The business of their dramatic characters will not stand the moral test . We screw every thing up to that ... We are spectators to a plot or intrigue ( not reducible in life to the point of strict morality ) and take it all for truth .
The business of their dramatic characters will not stand the moral test . We screw every thing up to that ... We are spectators to a plot or intrigue ( not reducible in life to the point of strict morality ) and take it all for truth .
Стр. 249
He has spread a privation of moral light , I will call it , rather than by the ugly name of palpable darkness , over his creations ; and his shadows filit before you without distinction or preference . Had he introduced a good character ...
He has spread a privation of moral light , I will call it , rather than by the ugly name of palpable darkness , over his creations ; and his shadows filit before you without distinction or preference . Had he introduced a good character ...
Отзывы - Написать отзыв
Не удалось найти ни одного отзыва.
Содержание
JEREMY BENTHAM | 4 |
THOMAS PAINE | 11 |
THOMAS ROBERT MALTHUS | 20 |
Авторские права | |
Не показаны другие разделы: 41
Часто встречающиеся слова и выражения
appeared beautiful become called carried cause character circumstances Coleridge common continued criticism death delight distinction dreams effect English equal essay existence expression face fancy feeling genius give hand head heart hope human idea images imagination impressions interest Italy John kind knowledge language less letters light lines living London look manner means mind moral nature never night objects observed once original pain pass passion perfect perhaps person play pleasure poem poet poetical poetry present principle produced reader reason scene seems seen sense Shakespeare side society sound speak spirit style supposed taken taste thing thou thought tion true truth turn understanding universal whole wish Wordsworth write young