Prose of the Romantic PeriodProse excerpts from the works of William Wordsworth, Samuel Taylor Coleridge, Walter Savage Landor, Charles Lamb, William Hazlitt, Leigh Hunt, Thomas de Quincey, Lord Byron, Percy Bysshe Shelley, John Keats, and others. |
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Стр. 210
She and her husband had begun to play cards with the Lambs about 1803. In 1830 Lamb asked his friend Ayrton to remember Mrs. Burney's “ obstinate questioning of the score , after the game was absolutely lost to the devil .
She and her husband had begun to play cards with the Lambs about 1803. In 1830 Lamb asked his friend Ayrton to remember Mrs. Burney's “ obstinate questioning of the score , after the game was absolutely lost to the devil .
Стр. 214
would argue a No inducement could ever prevail upon her to play at any game , where chance entered into the composition , for nothing . Chance , she and here again , admire the subtlety of her conclusion !
would argue a No inducement could ever prevail upon her to play at any game , where chance entered into the composition , for nothing . Chance , she and here again , admire the subtlety of her conclusion !
Стр. 227
“ You are too proud to see a play anywhere now but in the pit . Do you remember where it was we used to sit , when we saw the battle of Hexham , and the surrender of Calais , and Bannister and Mrs. Bland in the Children in the Wood ...
“ You are too proud to see a play anywhere now but in the pit . Do you remember where it was we used to sit , when we saw the battle of Hexham , and the surrender of Calais , and Bannister and Mrs. Bland in the Children in the Wood ...
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JEREMY BENTHAM | 4 |
THOMAS PAINE | 11 |
THOMAS ROBERT MALTHUS | 20 |
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Часто встречающиеся слова и выражения
appeared beautiful become called carried cause character circumstances Coleridge common continued criticism death delight distinction dreams effect English equal essay existence expression face fancy feeling genius give hand head heart hope human idea images imagination impressions interest Italy John kind knowledge language less letters light lines living London look manner means mind moral nature never night objects observed once original pain pass passion perfect perhaps person play pleasure poem poet poetical poetry present principle produced reader reason scene seems seen sense Shakespeare side society sound speak spirit style supposed taken taste thing thou thought tion true truth turn understanding universal whole wish Wordsworth write young