Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - Всего страниц: 466 |
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Стр. 49
... century assimilates the concept of beauty to the general theory of creative poetic action ( Kavi Karma ) . Narayana , an ancestor of Visvanatha of the fourteenth century , equated beauty ( Chamatkara ) with the expansion of the heart ...
... century assimilates the concept of beauty to the general theory of creative poetic action ( Kavi Karma ) . Narayana , an ancestor of Visvanatha of the fourteenth century , equated beauty ( Chamatkara ) with the expansion of the heart ...
Стр. 76
... century ) gives about one hundred and Appayya Dikshita ( seventeenth century ) adds a score more . The two broad divi- sions were the ideational figures ( Arthalamkara ) which related to the sense and the verbal figures ( Sabdalamkara ) ...
... century ) gives about one hundred and Appayya Dikshita ( seventeenth century ) adds a score more . The two broad divi- sions were the ideational figures ( Arthalamkara ) which related to the sense and the verbal figures ( Sabdalamkara ) ...
Стр. 118
... century onwards , the assumption becomes fairly universal that the author of this classic is Ananda Vardhana of the ninth century . But there are difficulties here . The work consists of the Karika , gnomic verses , and the Vritti ...
... century onwards , the assumption becomes fairly universal that the author of this classic is Ananda Vardhana of the ninth century . But there are difficulties here . The work consists of the Karika , gnomic verses , and the Vritti ...
Содержание
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Часто встречающиеся слова и выражения
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote