Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - Всего страниц: 466 |
Результаты поиска по книге
Результаты 1 – 3 из 70
Стр. 40
... reality does not depend on physical reality , but on the fact that they are real creations of poetic power . Mammata11 illustrates this with reference to the painting of a horse and explains further that art objects have no place in the ...
... reality does not depend on physical reality , but on the fact that they are real creations of poetic power . Mammata11 illustrates this with reference to the painting of a horse and explains further that art objects have no place in the ...
Стр. 44
... reality . For aesthetic crea- tivity is a part of life and reality , and this new order is its creation , just as natural forms are the creation of the evolutionary energy of nature . 66 Bharata63 also insists that the very idea of ...
... reality . For aesthetic crea- tivity is a part of life and reality , and this new order is its creation , just as natural forms are the creation of the evolutionary energy of nature . 66 Bharata63 also insists that the very idea of ...
Стр. 132
... reality as the power to resonate of the sensibility that receives its intimation in relish , for the poetic word acquired this power in the first place from the creative act of a poetic sensibility . 9942 II . MUSICAL POWER AND LIMITS ...
... reality as the power to resonate of the sensibility that receives its intimation in relish , for the poetic word acquired this power in the first place from the creative act of a poetic sensibility . 9942 II . MUSICAL POWER AND LIMITS ...
Содержание
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
Авторские права | |
Не показаны другие разделы: 16
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote