Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 28Gale Research Company, 1984 |
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Стр. 43
... Lucio by ducal com- mand and experienced by them as punishment reinforces unease about its adequacy as a ' solution ' , an effective system for the control of desire . Marriage may be viewed as the socially and divinely approved locus ...
... Lucio by ducal com- mand and experienced by them as punishment reinforces unease about its adequacy as a ' solution ' , an effective system for the control of desire . Marriage may be viewed as the socially and divinely approved locus ...
Стр. 93
... Lucio's " Whence comes this restraint ? " — entirely fails to assert any beneficent relation between the terms he and Lucio use . For Claudio , “ sur- feit " leads to " fast , " " scope " to " restraint , " in a fashion less like that ...
... Lucio's " Whence comes this restraint ? " — entirely fails to assert any beneficent relation between the terms he and Lucio use . For Claudio , “ sur- feit " leads to " fast , " " scope " to " restraint , " in a fashion less like that ...
Стр. 98
... Lucio's slander of Duke Vincentio . From Lucio's point of view , advocates of sensual restraint must either be ex- empt from desire , as he imagines Angelo to be , or they must be hypocrites . He cannot believe that people pos- sessing ...
... Lucio's slander of Duke Vincentio . From Lucio's point of view , advocates of sensual restraint must either be ex- empt from desire , as he imagines Angelo to be , or they must be hypocrites . He cannot believe that people pos- sessing ...
Содержание
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York