Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 28Gale Research Company, 1984 |
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Стр. 394
... Prospero's explana- tion , as mainly emblematic and only incidentally literal / real . So it is a magical storm created by Prospero wearing magic robes but the function of the storm is not to smash the ship and drown his enemies on the ...
... Prospero's explana- tion , as mainly emblematic and only incidentally literal / real . So it is a magical storm created by Prospero wearing magic robes but the function of the storm is not to smash the ship and drown his enemies on the ...
Стр. 420
... Prospero , to be able to command unpaid spirits to enact their fancies . An attempt on the part of a modern director to reproduce the conventions of the Jacobean masque is likely to mean little or nothing to members of a modern audience ...
... Prospero , to be able to command unpaid spirits to enact their fancies . An attempt on the part of a modern director to reproduce the conventions of the Jacobean masque is likely to mean little or nothing to members of a modern audience ...
Стр. 421
... Prospero's ' And mine shall . ' In any case , it is after this final test , or demonstration , of his self - mastery that Prospero is able to describe his in- tention to renounce his supernatural , powers . The speech in which he does ...
... Prospero's ' And mine shall . ' In any case , it is after this final test , or demonstration , of his self - mastery that Prospero is able to describe his in- tention to renounce his supernatural , powers . The speech in which he does ...
Содержание
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York