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Стр. 187
What marks the play as distinctive is this deliberately repressed dramatic tension , validated by the intense awareness in most audiences of the doom which hangs over every important character . We continually sense the discrepancy ...
What marks the play as distinctive is this deliberately repressed dramatic tension , validated by the intense awareness in most audiences of the doom which hangs over every important character . We continually sense the discrepancy ...
Стр. 325
Generally speaking , what a play means is primarily conditioned by how the audience logically makes out the whole sequence of incidents and situations incorporated in the play's action . What happens at a given moment in some ...
Generally speaking , what a play means is primarily conditioned by how the audience logically makes out the whole sequence of incidents and situations incorporated in the play's action . What happens at a given moment in some ...
Стр. 326
Thus , in the subconscious of the audience , Cordelia becomes a being whose existence is felt the more intensely for her nonexistence on the stage and whose coming is desired the more earnestly for her slowness in coming .
Thus , in the subconscious of the audience , Cordelia becomes a being whose existence is felt the more intensely for her nonexistence on the stage and whose coming is desired the more earnestly for her slowness in coming .
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action appears audience authority become body called character claim common course court critical cultural death describes desire early effect Elizabeth Elizabethan England English essay Essex example experience expression fact Falstaff festive figure final follow force give Hamlet hand Henry human idea imagination interest Irish James John kind King language less lines live London Lord male Marxism means mind misogyny nature never offers once Othello peare performance perhaps play political popular position present Press Queen question reading reference relation Renaissance represented response rhetoric Richard role says scene secret seems sense sexual Shakes Shakespeare social society Sonnets speak speech stage story Studies suggests things thought tion tragedy true turn University Venice Venus women York
Библиографические данные
| Название | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 28 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Издатель | Gale Research Company, 1984 |
| ISBN | 0810389487, 9780810389489 |
| Экспорт цитаты | BiBTeX EndNote RefMan |