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Стр. 9
In this case of course the new character does not so much enter as throw off an assumed role , with the effect of obliterating that role ( Friar Lodowick ) and ... Certain characters confine themselves entirely , or almost entirely ...
In this case of course the new character does not so much enter as throw off an assumed role , with the effect of obliterating that role ( Friar Lodowick ) and ... Certain characters confine themselves entirely , or almost entirely ...
Стр. 227
21 these characters can speak and act as self - determining subjects most fully then , when they play into convention . Weimann reads these and similar dramatic crossings as evidence that , by Shakespeare's time , the locus and platea ...
21 these characters can speak and act as self - determining subjects most fully then , when they play into convention . Weimann reads these and similar dramatic crossings as evidence that , by Shakespeare's time , the locus and platea ...
Стр. 418
is even a sense in which he might be described as the play's only fully realized human character . ... lies in Shakespeare's use of what we might call foreshortening and symbolical techniques in his presentation of certain characters .
is even a sense in which he might be described as the play's only fully realized human character . ... lies in Shakespeare's use of what we might call foreshortening and symbolical techniques in his presentation of certain characters .
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action appears audience authority become body called character claim common course court critical cultural death describes desire early effect Elizabeth Elizabethan England English essay Essex example experience expression fact Falstaff festive figure final follow force give Hamlet hand Henry human idea imagination interest Irish James John kind King language less lines live London Lord male Marxism means mind misogyny nature never offers once Othello peare performance perhaps play political popular position present Press Queen question reading reference relation Renaissance represented response rhetoric Richard role says scene secret seems sense sexual Shakes Shakespeare social society Sonnets speak speech stage story Studies suggests things thought tion tragedy true turn University Venice Venus women York