Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 28Gale Research Company, 1984 |
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Стр. 108
... expression . One of my objects in this study is to try to demonstrate by close reading that the passing show is ... expressions . Thus , passages 1 and 6 are but the trappings and the suits of what lies all within . Richard's statement ...
... expression . One of my objects in this study is to try to demonstrate by close reading that the passing show is ... expressions . Thus , passages 1 and 6 are but the trappings and the suits of what lies all within . Richard's statement ...
Стр. 245
... expression that Shakespeare makes them share . In answer to Emilia's ' O , who hath done this deed ? ' Desdemona's first - line - abbreviated couplet is of course ' Nobody , I myself . Farewell . / Commend me to my kind . lord . O ...
... expression that Shakespeare makes them share . In answer to Emilia's ' O , who hath done this deed ? ' Desdemona's first - line - abbreviated couplet is of course ' Nobody , I myself . Farewell . / Commend me to my kind . lord . O ...
Стр. 345
... expression - the verses he hangs on the trees in the Forest of Arden - into a relative- ly sophisticated language of love . Accompanying this transformation is a parallel physical movement , centered on the act and metaphor of wrestling ...
... expression - the verses he hangs on the trees in the Forest of Arden - into a relative- ly sophisticated language of love . Accompanying this transformation is a parallel physical movement , centered on the act and metaphor of wrestling ...
Содержание
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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Часто встречающиеся слова и выражения
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York