Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 28Gale Research Company, 1984 |
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Стр. 14
... fact that he is mimicking the rant he has picked up in the theatre , does not alter the more overriding fact that most of his dialogue remains ' relentlessly iambic ' . We can refuse to call it ' poetry ' if we so decide , but there ...
... fact that he is mimicking the rant he has picked up in the theatre , does not alter the more overriding fact that most of his dialogue remains ' relentlessly iambic ' . We can refuse to call it ' poetry ' if we so decide , but there ...
Стр. 322
... fact the likely author . For a survey of the issue , see the introduction to Thomas Middleton , The Revenger's Tragedy : A Facsimile of the 1607/8 Quarto , ed . MacD . P. Jackson ( Rutherford , NJ , 1983 ) . 23 De Maisse , 82 . 24 I ...
... fact the likely author . For a survey of the issue , see the introduction to Thomas Middleton , The Revenger's Tragedy : A Facsimile of the 1607/8 Quarto , ed . MacD . P. Jackson ( Rutherford , NJ , 1983 ) . 23 De Maisse , 82 . 24 I ...
Стр. 330
... fact of the play , and to some commentators , the spectacle of the pale - skinned woman caught in Othello's black arms has indeed seemed monstrous . ' Yet that spec- tacle is a major source of Othello's emotional power . From ...
... fact of the play , and to some commentators , the spectacle of the pale - skinned woman caught in Othello's black arms has indeed seemed monstrous . ' Yet that spec- tacle is a major source of Othello's emotional power . From ...
Содержание
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York