Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 28Gale Research Company, 1984 |
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Стр. 97
... final silence , then , offers reasons for question- ing the hopefulness of Mariana's " So may my husband . " Far from " a little bad " producing " much more the bet- ter , " Angelo's concluding silence foreshadows simple continuation ...
... final silence , then , offers reasons for question- ing the hopefulness of Mariana's " So may my husband . " Far from " a little bad " producing " much more the bet- ter , " Angelo's concluding silence foreshadows simple continuation ...
Стр. 345
... final fluency in a language of affection . For Orlando , this development occurs most obviously in the mock courtship conducted by Rosalind in the guise of Ganymede , which refines his inchoate first gestures toward affectionate ...
... final fluency in a language of affection . For Orlando , this development occurs most obviously in the mock courtship conducted by Rosalind in the guise of Ganymede , which refines his inchoate first gestures toward affectionate ...
Стр. 349
... final speech , in which she speaks truth , and dies . Thus defeated a second time , what further silence can Iago seek to impose , except upon himself ? His character- istic movement , from awareness of inadequacy to anger to denial ...
... final speech , in which she speaks truth , and dies . Thus defeated a second time , what further silence can Iago seek to impose , except upon himself ? His character- istic movement , from awareness of inadequacy to anger to denial ...
Содержание
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York