Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 28Gale Research Company, 1984 |
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Стр. 88
... force.23 Both of the characters know that they are only " playing " that they are not speaking " seriously " in Austin's sense - yet for both Rosalind and Orlando the scene seems to mark a shift in their relation and an end to their ...
... force.23 Both of the characters know that they are only " playing " that they are not speaking " seriously " in Austin's sense - yet for both Rosalind and Orlando the scene seems to mark a shift in their relation and an end to their ...
Стр. 154
... force . The extremity of the combatants ' situation provides the opportunity for heroic exploit . In it the soldiers tap their full potential , registered in the epic effort depicted in the close - up shots of their faces . Branagh uses ...
... force . The extremity of the combatants ' situation provides the opportunity for heroic exploit . In it the soldiers tap their full potential , registered in the epic effort depicted in the close - up shots of their faces . Branagh uses ...
Стр. 399
... force to the hero.16 Since the sociopolitical situation of civil obedi- ence necessary for the tragic hero is absent from Coriola- nus's Rome , the play becomes a depository of the charac- teristics constituting an alienation from the ...
... force to the hero.16 Since the sociopolitical situation of civil obedi- ence necessary for the tragic hero is absent from Coriola- nus's Rome , the play becomes a depository of the charac- teristics constituting an alienation from the ...
Содержание
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York