Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 28Gale Research Company, 1984 |
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... idea of an English national body politic in principle separable from the body of the monarch - the idea of the nation , that is , as a " com- monwealth " with an essential and permanent existence distinct from the king's estate and ...
... idea of an English national body politic in principle separable from the body of the monarch - the idea of the nation , that is , as a " com- monwealth " with an essential and permanent existence distinct from the king's estate and ...
Стр. 255
... idea that Antonius's defeat represented the triumph of Rome over eastern barbarism ( Aurorae popu- lis ) rather than a purely Roman affair , is fully in keeping with the tenor of Augustan propaganda.30 The same idea is found in Horace ...
... idea that Antonius's defeat represented the triumph of Rome over eastern barbarism ( Aurorae popu- lis ) rather than a purely Roman affair , is fully in keeping with the tenor of Augustan propaganda.30 The same idea is found in Horace ...
Стр. 261
... idea of wealth is Christian . Hence is he like the merchant of Matthew's parable who , seeing a pearl of great price , goes and sells all he has in order to buy it ( thereby , in the terms of the parable , ' re- deeming ' spiritual ...
... idea of wealth is Christian . Hence is he like the merchant of Matthew's parable who , seeing a pearl of great price , goes and sells all he has in order to buy it ( thereby , in the terms of the parable , ' re- deeming ' spiritual ...
Содержание
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York