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Стр. 125
As Katharine's language lesson anticipated , accepting Henry means barely transposing the martial into the marital : If I could win a lady at leap - frog , or by vaulting into my saddle with my armor on my back , under the correction of ...
As Katharine's language lesson anticipated , accepting Henry means barely transposing the martial into the marital : If I could win a lady at leap - frog , or by vaulting into my saddle with my armor on my back , under the correction of ...
Стр. 164
Native breath " : language and national identity Benedict Anderson is no doubt right to insist that language has rarely ( if ever ) been accepted as a sufficient . defining condition of nationality ; but its exceptional capacity for ...
Native breath " : language and national identity Benedict Anderson is no doubt right to insist that language has rarely ( if ever ) been accepted as a sufficient . defining condition of nationality ; but its exceptional capacity for ...
Стр. 345
The central action of As You Like It consists in developing its characters away from this initial fluency in a language of anger toward a final fluency in a language of affection . For Orlando , this development occurs most obviously in ...
The central action of As You Like It consists in developing its characters away from this initial fluency in a language of anger toward a final fluency in a language of affection . For Orlando , this development occurs most obviously in ...
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action appears audience authority become body called character claim common course court critical cultural death describes desire early effect Elizabeth Elizabethan England English essay Essex example experience expression fact Falstaff festive figure final follow force give Hamlet hand Henry human idea imagination interest Irish James John kind King language less lines live London Lord male Marxism means mind misogyny nature never offers once Othello peare performance perhaps play political popular position present Press Queen question reading reference relation Renaissance represented response rhetoric Richard role says scene secret seems sense sexual Shakes Shakespeare social society Sonnets speak speech stage story Studies suggests things thought tion tragedy true turn University Venice Venus women York